home *** CD-ROM | disk | FTP | other *** search
- <text id=94TT0191>
- <title>
- Feb. 14, 1994: The Arts & Media:Cinema
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Feb. 14, 1994 Are Men Really That Bad?
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA, Page 68
- Cinema
- Sleepless And Skedaddle
- </hdr>
- <body>
- <p>Stay awake and run like hell: that's the message of this spooky
- third version of the sci-fi horror classic, The Body Snatchers
- </p>
- <p>By Richard Corliss
- </p>
- <p> Marti Malone (Gabrielle Anwar) stops at a gas station near
- the Army base where her family is to spend the next month. In
- the restroom she is surprised by a large man who stifles her
- cries and whispers the warning "They get you when you sleep!"
- His words are like a bedtime story's ultimate threat: Keep listening
- to this tale, my child. If you nod off before the end, you could
- die.
- </p>
- <p> Sleep is supposed to be the kingdom of our own monsters--that
- nightscape where the id, unshackled by scruple, runs wild and
- plays out every dreamer's scenarios of fear fulfillment. But
- in his 1954 science-fiction novel The Body Snatchers, Jack Finney
- had an even spookier idea: that sleep is when the sentry of
- common sense nods off and allows our enemies, not ourselves,
- to invade and conquer. Pod seeds fall from outer space and rob
- sleeping humans of their emotions, their very selves. It was
- Us vs. Them, cold-war style--and in this cunning parable of
- persecution, Them could be communism or McCarthyism. It could
- be any ism bent on robbing the U.S. (Us) of its ragged individualism.
- </p>
- <p> Finney's fable has passed the time test (40 years is forever
- in pop culture), having been filmed twice as Invasion of the
- Body Snatchers, by Don Siegel in 1956 and Philip Kaufman in
- 1978. The first movie, punctuating California's small-town sunniness
- with the thunder of deadpan mobocracy, became a cult classic.
- Both pictures met the horror-movie challenge: they kept moviegoers
- up all night, ashiver with apprehension.
- </p>
- <p> And now, just when you thought it was safe to take a nap, comes
- a third version. Body Snatchers, as the story is called this
- time, is smart and spooky. It cleverly twists the plot so the
- lonely hero battling the pods is now a plucky, skeptical teenage
- girl. And it expands on the theme of emotional isolation until
- it embraces, and then nearly annihilates, the whole postnuclear
- family.
- </p>
- <p> Long before the pods start wrapping their tendrils around sleeping
- bodies, Marti and her family are plenty estranged. The girl
- is annoyed with her father (Terry Kinney), resentful of her
- stepmother (Meg Tilly) and jealous of the woman's attentions
- to her own small son (Reilly Murphy). Why, Marti might almost
- believe--as so many teens do of their own families--that
- her broody brood is a pack of soulless zombies from another
- planet. But paranoia is merely another word for self-preservation;
- and Marti, who never hides her raw feelings, is just the person
- to detect the wholesale poddifying of her family. By the end,
- and for the noblest cause--saving the earth--she will need
- to see them all killed.
- </p>
- <p> This handsomely crafted studio production, unaccountably left
- to languish for a year in the Warner Bros. vault, comes from
- an unlikely auteur: poverty-row director Abel Ferrara, whose
- earlier work, from Ms. 45 to Bad Lieutenant, is a gallery of
- Grunge Guignol. Somehow, flanked by five scripters (including
- his regular collaborator Nicholas St. John), he managed to stoke
- his tale with the eerie subtlety of the best old B movies.
- </p>
- <p> He also coaxed top performances from his cast, especially the
- lead actresses. Tilly, with her otherworldly glamour, is a New
- Age evil stepmother; in her sleepytime voice, pod threats have
- the thrill of seduction. And Anwar (Al Pacino's dance partner
- in Scent of a Woman) plays Marti as honest, balky, easily bruised;
- already she has the edgy assurance of a pro slated for stardom.
- Her soft lashes and wary eyes, which make her look as if she
- has just been prodded awake into a nightmare, key this haunting
- film's message: that life has to be faced with eyes wide open.
- Otherwise...to sleep, perchance to scream.
- </p>
-
- </body>
- </article>
- </text>
-
-